Post Description

The body of work Davis created in his 40-plus years of recording makes the word "incomparable" grossly inadequate. 
So, it should be no surprise that these live recordings, drawn from the last three years of his life, are nothing short of remarkable. 
This collection highlights Davis's funkier 80s repertoire. 
From the laid back groove of "Mr. Pastorius" to the driving rhythms of "Wrinkle," this was Davis redefining jazz. 
Even more remarkably, it was all recorded digitally in stereo with no remixes, no overdubs, and a sound so perfect that most musicians 
couldn't match those standards in a studio. The album's closing version of "Hannibal" was drawn from Davis's final performance, 
giving both the already haunting composition and the entire album an added poignancy. 

Jazz doesn't get much better than Davis, and live recordings don't get much better than this. --Bill Snyder 



Miles Davis - Live Around the World LP-rip 24bit-96Khz



Track listing & Personnel

A1 In A Silent Way 1:49 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Joey DeFrancesco
Alto Saxophone - Kenny Garrett
Percussion - Marilyn Mazur
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Zawinul*
Trumpet - Miles Davis

A2 Intruder 4:52 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Joey DeFrancesco
Alto Saxophone - Kenny Garrett
Percussion - Marilyn Mazur
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Davis*
Trumpet - Miles Davis 

A3 New Blues 5:35 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Robert Irving III
Alto Saxophone - Kenny Garrett
Percussion - Marilyn Mazur
Trumpet, Keyboards - Miles Davis
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Davis* 



B1 Human Nature 12:48 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Joey DeFrancesco
Alto Saxophone - Kenny Garrett
Percussion - Marilyn Mazur
Trumpet, Keyboards - Miles Davis
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Bettis*, Porcaro* 

B2 Mr. Pastorius 3:32 

Bass - Benny Rietveld
Keyboards - John Beasley, Kei Akagi
Alto Saxophone - Kenny Garrett
Percussion - Munyungo Jackson
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Miller*
Trumpet - Miles Davis 



C1 Amandla 5:52 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Kei Akagi
Written-By - Miller*
Tenor Saxophone - Rick Margitza
Percussion - Munyungo Jackson
Drums - Ricky Wellman
Bass [Lead] - Foley
Trumpet - Miles Davis 

C2 Wrinkle 7:17 

Bass - Richard Patterson (2)
Keyboards - Kei Akagi
Alto Saxophone - Kenny Garrett
Percussion [Electronic] - Erin Davis
Trumpet, Keyboards - Miles Davis
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Davis* 

C3 Tutu 8:53 

Bass - Richard Patterson (2)
Keyboards - Kei Akagi
Flute - Kenny Garrett
Written-By - Miller*
Percussion [Electronic] - Erin Davis
Trumpet, Keyboards - Miles Davis
Drums - Ricky Wellman
Bass [Lead] - Foley 


D1 Full Nelson 2:48 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Robert Irving III
Alto Saxophone - Kenny Garrett
Percussion - Marilyn Mazur
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Miller*
Trumpet - Miles Davis

D2 Time After Time 9:56 

Bass - Benny Rietveld
Keyboards - Adam Holzman, Kei Akagi
Flute - Kenny Garrett
Written-By - Lauper*, Hyman*
Percussion - Munyungo Jackson
Drums - Ricky Wellman
Bass [Lead] - Foley
Trumpet - Miles Davis 

D3 Hannibal 7:22

Bass - Richard Patterson (2)
Keyboards - Deron Johnson
Alto Saxophone - Kenny Garrett
Drums - Ricky Wellman
Bass [Lead] - Foley
Written-By - Miller*
Trumpet - Miles Davis 

thanx to Aksman




Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable 
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering 

Vacuum cleaning - TT - Brocksieper Phonomax - E-MU 0404 - WaveLab 6 (24/192) - manual click removal - analyze (no clipping, no DC Bias offset) - resampling and dithering with iZotope RX Advanced 2.00 - split into individual Tracks - FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout

word from the ripper,

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore 
I don't use any post-processing or any sound improvement. 
What you get is a clear and flat transfer. For getting a clear sound, 
I'll do an extended washing of each record with my RCM,
which can take up to 30 minutes brushing on each side. 
Resistant ticks and clicks I try to remove as good as possible, 
but the priority is not to lose any musical information in the process. 
Surface noises, as long they are not too high, are left in place. 
Only on bad pressings or on records recorded at extremely low levels 
do I use a fade in-/-out. 
As John Peel said, "Life is full of surface noises." 
In some cases this means that I have to make a compromise.... 

The result has to pass my personal quality criteria, which is IMO quite high.

...Aksman



mede dankzij de orginele rippers !!


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